All posts by Stephen Parsons

Tech Talk: Building Tradition with a Spokeshave

In April, Mary Elizabeth addressed traditional technology in one of our Tech Talk blog posts. Her post focused on hand planes, one of Mary Elizabeth’s (and my) favorite tools. The typical woodworker has at least four or five unique purpose planes (flattening, smoothing, shaping, profiling, etc.) of varying sizes – some so distinct from another that it is hard to reckon them to be in the same class of tools.

The spokeshave is ideal to shape this broadsword.

I was making a pair of replica broadswords for my son and grandson this week and – after preliminary cutting and shaping – had to refine the angles and surfaces of the swords’ blades. The right tool for this, in my mind is the lowly spokeshave and so I reached for one of mine to help me with this task. Evolving from primitive shaping tools like the draw knife and scraper, and considered to be a form of hand plane, the spokeshave has been around for eons in one form or another. Like all hand planes, a spokeshave may have a cap iron and a frog, is set up against the work with a sole , and slices off fine shavings using a fixed position blade that goes through the body. For me, that’s about where the similarities end.

Scrapers, spokeshaves, and hand planes.

I find that the spokeshave is much more versatile wherever practical, and, moreover, more tactile than typical flat-sole hand planes. This is in part because the motion is a pulling one using a set of handles at the side of the body (of course, there are many other planes that use a pulling motion). The sole may be flat, convex or concave depending on its function but, in either case, it takes practice to get the shave to address the surface for optimum effect. It also takes (and gives) a feel for the wood and the grain that is very special. When you have addressed the grain and surface well, long thin shavings feed out from the mouth of the unit with consistent dimensions, and the wood surface takes on a beautiful smoothness that is often ready for finish without any additional sanding or other surface preparation. The feel of that spokeshave slicing through the wood (as felt through those winged handles) is like no other tool I know.

Bill Howe’s presentation to the Atlantic Woodworkers’ Association in April inspired me to think about and use the spokeshave more and so I find I am increasingly going to it in projects of this nature – not only because it is an effective tool, but also because the feel of working with a spokeshave is extremely gratifying.  For me there is also a sense that I am working with an ages-old technology/ tool using traditional techniques – and that, in itself, is certainly appealing.

Replica broadsword.

In the current project, this sense of building and preserving tradition is even more enhanced since what I am making is a traditional weapon that dates back to the 6th century and which endured for centuries.  The broadsword was used in battle by medieval knights and was considered one of the knight’s most prized assets. For training and tournaments, rebated (blunted) and wooden swords were used to limit injury and so there must have been a time when wooden swords like this were being made to closely replicate the look and feel of their iron counterparts. I can imagine some 11th century woodsmith or swordsmith sitting down to a similar task with a spokeshave or draw knife to carve those same sword facets for a Lancelot or a Galahad.

Anon, with spokeshave at hand, I must away to this labor of love.

The Art of Learning, Part II

This post is written by Stephen Parsons.

In my last post, I described my learning style and I promised to blog my progress as I explore a new technique through a new artistic production. The idea is to reflect on my learning process to see how it evolves and how it impacts development of my skills as an artisan.

The artistic vision, you might recall, is of a manta ray swimming majestically – maybe along a reef or sandy seabed. But the image is more impressionistic than realistic, Continue reading The Art of Learning, Part II

Random Thoughts: The Satisfied Customer

 

This post was written by Stephen Parsons.

Why do we do it? Why do art and craft entrepreneurs put their products and reputation out there in the marketplace? Business objectives are different for each business owner, I guess, but some  would seem more important than others. But how important is profit as an objective compared to other – perhaps more altruistic – objectives?

Piper – apparent satisfied customer

While profit and the need to express one’s artistic creativity and passion are goals we might think at the top of the list, Continue reading Random Thoughts: The Satisfied Customer

Tech Tuesday: Selling Art & Crafts Online

Today’s post is written by Stephen Parsons.

Gartner Hype Cycle of Technology Adoption

As a web application developer around the start of the 21st century, I recall the beginning of the e-commerce era as being one of extremely complex and technical development. I developed and taught e-commerce/ e-marketing programs at Holland College and Nova Scotia Community College from about 1998 through 2003 when the depth of technical knowledge that both developers and business owners needed to implement e-commerce was substantial, often prohibitively so for small craft businesses like ours. Continue reading Tech Tuesday: Selling Art & Crafts Online

Tech Tuesday: The Laser

Today’s post is written by Stephen Parsons

In an earlier post we mentioned that we had bought a laser engraver from Gearbest – our first – to supplement some of the work in our shop, notably things like small engraving tasks and marking cuts for the band saw and scroll saw. Now that we have it together, I thought it might be a good time to bring you up to speed on our success (and challenges) to date. Continue reading Tech Tuesday: The Laser

Renaissance Man or ADD?

Today’s post is written by Stephen Parsons.

Leonardo DaVinci – the Maestro

I have long been fascinated by the life and work of Leonardo Davinci. So, when my wife and I traveled to Italy in 2015, we sought out opportunities to explore historic sites that were connected to  the maestro. This renaissance painter, sculptor, mathematician, physician, builder, inventor and philosopher (among other talents) is an inspiration to me. My own Portfolio speaks to my curiosita and interest in numerous fields inspired, in part, by Davinci and other renaissance men. But recently, I came to wonder if I (and the maestro, for that matter) are actually renaissance men, or simply suffering attention deficit? Continue reading Renaissance Man or ADD?