This restoration is unique for us for a couple of reasons: Continue reading On our workbench
Today’s post is written by Stephen Parsons.
If you have ever developed your own design for an artisan craft project, you have probably started out with a simple pencil/pen and paper concept drawing. You might further develop the design using ruled or graph paper to lay out accurate dimensions and perhaps generating a couple of different views (e.g. top, side, and maybe a perspective view). I still start out with a rough sketch, but as soon as the idea is pretty well established, my next drawings are developed using my new favorite design tool – SketchUp – a 3d modelling software from Trimble.
Continue reading SketchUp – From Concept to Cut List
As we have already seen, there is not one colour wheel but a variety for different uses. There is no set number of sections or even foundation colours. What colour wheels – also known as colour circles – have in common is that they are used to show relationships between colours or groups of colour. Continue reading Colour Challenge 3: The Colour Wheel
This spring, my quilt guild (Mariners in Dartmouth) had a challenge to create a quilt top for another member. We were provided with 2 meters of fabric and, in some cases, a request for a specific style and challenged to make a lap quilt. In my box, there were 11 brightly coloured, large print fat quarters, definitely a different style for me. Continue reading Quilt design fun
Late last year, I finally broke down and bought a new sewing machine. After much research and deliberation, I decided to bite the bullet and invest in a fairly high end machine. After some research and debate, I ended up buying an embroidery machine. I have enjoyed making some embroidery projects and gifts and love the detail in some of the designs. However, I really haven’t been making full use of the features and changing that is one of my creative goals for 2015. Continue reading Machine embroidery monograms
Welcome to week 2 of my working with colour challenge. This week, I’m challenge you to play with tints, shades and tones of your chosen hues. Continue reading Colour Challenge 2: Tint, Tone, Shade
If you are a textile artist, you might appreciate these tips for getting dynamic images of your work. This is crucial if you want to sell, submit for a show or otherwise share your work with strong visuals.
TextileArtist.org also offers articles on a variety of other useful information – everything from choosing a camera for shooting artwork to finding an audience for your work or making submissions for a show or contest.
Stephen spent many hours this spring finishing a commission for a client who wanted to give her partner a replica of his cherished vehicle, a Chevy Suburban. Continue reading The ‘Burban
Recently, I have had a number of discussions with different quilters about their difficulties choosing colours for their projects. This seems to be a recurring source of confusion for many. People have a number of ways to avoid the frustration including using the same colours as a pattern, buying fabric in collections or pre-cuts or recruiting friends or fabric store staff to help. In fact, they may not even think about colour unless it is time to assemble materials for a specific project, either from new fabric or from an existing stash. Continue reading Colour challenge 1
Some months ago, I participated in a quilting retreat. One of the projects was a quilt with 12 star patterns using a variety of patterns with a common plain colour center. When I was laying out the blocks to play with colours, I decided to turn half of the star blocks into squares. I completed all the blocks but didn’t get around to assembling the quilt so it has been on my unfinished projects list for a while. Earlier in the spring, I decided to put it together so I started playing with layouts and came up with more than a dozen combinations. Continue reading Design possiblities